“I wish I could have written Babbitt” – H.G. Wells
Babbitt is an oddity for me: not only because it’s literary fiction, and social realism at that, but also because it doesn’t really need a review. It’s one of the iconic works of the 20th century. Its title became a common noun – you can still find it in dictionaries – and a word that symbolised one of the great social divides of the 1920s and 1930s. Babbitt was a bestseller: the tenth-best-selling book of 1922, and the fourth-best-selling book of 1923. It was one of five top-ten bestsellers by Lewis that decade, the most by any author of that era (tied with Zane Grey). Two of those novels hit number one, and another hit number two. Meanwhile, in 1930, Lewis became the first American to be awarded the Nobel Prize in Literature; Babbitt was widely considered to be the book that won it for him.
To summarise what Lewis meant in the 1920s, perhaps imagine that Tom Clancy (who, like Lewis, had two number-one bestsellers) and Gabriel García Márquez (who, like Lewis, was a Nobel laureate) were the same person. Or perhaps, given the political nature of Lewis’ writing, a better combination would be Dan Brown (two bestsellers) and Harold Pinter (Nobel laureate).
In other words, you don’t need my review on this one. If you have any interest in literature, whether for historical or for artistic purposes, Babbitt should already be on your to-read list.
But since I’ve read it, I may as well say a few words for those who haven’t read it yet… Continue reading