Ursula Le Guin’s two most famous and acclaimed science fiction novels – 1969’s The Left Hand of Darkness and 1974’s The Dispossessed have a great deal in common. Both are intellectual novels, more interested in characters dispensing sociology lectures than in character exchanging gunfire; both are novels where, in the final equation, very little actually happens. Both are primarily concerned with comparing and contrasting two very different sociopolitical power structures, locked in a Cold War – given the time in which the novels were written, we can cut to the chase and just admit, both novels are fundamentally examinations of the USA vs. the USSR. On a purely superficial level, both novels are set on distant planets occupied by a species who are almost, but not quite, human, with both Terrans (us!) and ‘Hainish’ mentioned in the background. Both novels follow a single traveller as he attempts to understand the world around him.
And yet there are also important differences: most importantly of all, where The Left Hand of Darkness seems to tiptoe delicately, frostily, across an icy surface, everything at a distance, everything filtered and contained, The Dispossessed is the literary equivalent of taking an axe to a target and hacking, first from the left, and then from the right, again and again until the blade hits the quick.